Natalie Haynes 

Rebooting the blockbuster, who ya gonna call? Aristotle, actually

If Suicide Squad, Star Trek and Bourne suggest big-budget film-making needs a shot in the arm – the ancient-Greek philosopher offers the perfect fix
  
  

Margot Robbie and Jared Leto in Suicide Squad (2016).
Margot Robbie and Jared Leto in Suicide Squad (2016). Photograph: Allstar/Warner Bros

What has gone wrong with summer this year? Depending on your interests (political immolation, untrammelled doping in sport, insect-borne viruses), you may feel the answer is obvious. For those of us who prefer films to real life, it’s more opaque.

Usually, the summer months offer big-budget extravaganzas, in which assorted superheroes do battle for the city, planet or universe, but this year has seen the wheels come off the Batmobile. Suicide Squad has been flayed by the critics, and neither Star Trek Beyond nor Jason Bourne has lived up to expectations. Blame has been laid on the sheer quantity of big-budget films released this year. And the weather has actually been quite nice, so plenty of us have chosen to spend evenings away from the multiplexes.

I wonder if studios have forgotten that summer films used to feel summery: Jaws was released on 20 June 1975, and the central tension of the early part of the movie is between those who want to keep the whole killer shark thing quiet in case it upsets the tourists at the start of the summer season, and those who think that the tourists will be pretty upset anyway when they see a disembodied head bob out of a boat.

Would the film have been as successful if Steven Spielberg had been able to use more footage of the mechanically temperamental shark? Probably not: it’s the fact that we scarcely see it that gives it such a terrible menace. If we can’t see it, it could be anywhere. Worse, it feels like it’s everywhere.

It’s hard to dispute the wisdom of Aristotle. In The Poetics, he lists the elements a drama requires in order of importance. Plot is first, then character, then dialogue, right the way through to the least important element: spectacle. This is the opposite way round to the priorities of film production studios, who routinely specify the action sequences they require (for merchandising purposes) before the script is even begun. In other words, spectacle dictates plot. No wonder the blockbuster needs a reboot.

Extra gym, no tonic

A new study has suggested that the World Health Organisation’s exercise guidelines are way too low to fight chronic disease. We should be doing five to seven times the amount previously recommended, which was 150 minutes of walking per week, or 75 minutes of running. And although those numbers seem pretty conservative (22 minutes of walking a day isn’t much), a lot of people don’t get anywhere near them. Multiply them by five, and in spite of your best efforts to encourage people, you might end up doing the opposite.

I love to walk – and run: I cover 50 to 60 miles a week. But I’m self-employed, so can afford to allow myself 90 minutes to commute on foot, or give myself a couple of hours off for a long run. Most people don’t have that luxury. And telling people that they’ll do little to combat heart disease or diabetes if they exercise for less than two hours a day seems risky: what if they conclude that they’re wasting their time doing a mere hour?

Bring back Pauper Pig

When I worked in a video store, before the introduction of the minimum wage, the most crushing part of my day involved selling Häagen-Dazs ice cream for £3.99 a tub, knowing it was worth more than an hour of my life. Today, I have that feeling again, after discovering that the owners of Peppa Pig have turned down a £1bn takeover offer because it undervalues the company. No one should have to begin their day by finding out a pig is worth more than a billion pounds. I’m sorry if that’s just happened to you.

 

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